{"id":45,"date":"2015-04-15T14:25:15","date_gmt":"2015-04-15T14:25:15","guid":{"rendered":"http:\/\/www-reynal.ensea.fr\/?page_id=45"},"modified":"2025-11-03T15:07:18","modified_gmt":"2025-11-03T13:07:18","slug":"art-sciences","status":"publish","type":"page","link":"https:\/\/reynal.etis-lab.fr\/?page_id=45","title":{"rendered":"Artistic Research, Art & Science and the Philosophy of Technology"},"content":{"rendered":"

Art & Machines<\/em> Portfolio<\/h4>\n

I have a dedicated website with my complete artistic portfolio, including theatre, performance, acting and music production : www.sydxrey.art<\/a>\u00a0<\/p>\n

Publications,\u00a0 oral communications and shows in Art & Sciences, artistic research, philosophy of technology and epistemology<\/h4>\n\n\n

Reynal, S., & Martel, C. (2025). Du hacking \u00e0 la sc\u00e8ne\u202f: Conception d\u2019un dispositif performatif art\/science entre cyborg et voix chant\u00e9e. Nouveaux cahiers de Marge<\/em>, 10<\/em>. https:\/\/doi.org\/10.35562\/marge.1233<\/a> (texte int\u00e9gral<\/a>)<\/p>\n\n\n\n

Reynal S., Petrova, L. V. (2024). PiPeR : a pirate-performance to reconfigure knowledge production<\/em><\/em>. Colloque RE24: Reconfigured Epistemologies, 17 octobre 2024, ENSEA, Cergy. [performance, oral communication]<\/p>\n\n\n\n

Reynal S. (2024). Enseigner l\u2019intime sans saigne<\/em>r. Journ\u00e9e d\u2019\u00e9tude interdisciplinaire du laboratoire AGORA, 10 octobre 2024, CYU Cergy-Paris Universit\u00e9. [oral communication]<\/p>\n\n\n\n

Reynal S., Petrova, L. V. (2024). La performance \u00ab pirate \u00bb en conf\u00e9rence comme modalit\u00e9 de production de savoir critique<\/em><\/em>. Journ\u00e9es annuelles du Centre Internet et Soci\u00e9t\u00e9 (UPR 2000 CNRS), 1-2 octobre 2024, Paris. [performance, oral communication]<\/p>\n\n\n\n

Reynal S., Petrova, L. V. (2024). Vaguing: artistic research in science and technology studies (STS) as giving up a (vague) territory<\/em>. EASST-4S 2024 Conference, Jul 2024, Amsterdam, Netherlands. \u27e8hal-04690953\u27e9 [performance, oral communication]<\/p>\n\n\n\n

Reynal S., Petrova, L. V. (2024) T.V. Europe: for the introduction of \u2018vagueness\u2019 in space<\/em>. IMPEC, Aix-Marseille Universit\u00e9, Jul 2024, Aix-en -Provence, France. \u27e8hal-04690946\u27e9 [performance, oral communication]<\/p>\n\n\n\n

Reynal S., Liz\u00e9-Masclef N. (2023). Wunderblock : m\u00e9dier la pr\u00e9sence par le tangible<\/em>. Dr\u00f4les d’objets: un nouvel art de faire, 15 mai 2023, Nancy, France. https:\/\/doi.org\/10.5281\/zenodo.12784088<\/a> [conf paper]<\/p>\n\n\n\n

Reynal S. (2023). (Im)permanence de l\u2019oubli : exp\u00e9rimenter dans la dualit\u00e9 tangible-virtuel de Wunderblock<\/em>, s\u00e9minaire Interaction Multimodales Par Ecrans (IMPEC), Carnet de recherche du groupe IMPEC (U. Lyon 2, U. Aix-Marseille, U. Oulu), 7 Avril 2023. [oral communication]<\/p>\n\n\n\n

Reynal S. & Petrova L. (2022) : Intelligence interstitielle : entre IA et cr\u00e9ation, l\u2019interstice comme modalit\u00e9 de la recherche<\/em>, s\u00e9minaire IA, art et cr\u00e9ativit\u00e9<\/em> du Centre Internet et Soci\u00e9t\u00e9 (UPR 2000 CNRS), 6 d\u00e9cembre 2022. [oral communication]<\/p>\n\n\n\n

Reynal S. & Martel C. (2022), Autour de la performance STUMPS<\/em>, \u00abDesigns-Designer-D\u00e9jouer : jeux et enjeux du design \u00e0 l\u2019universit\u00e9 \u00bb,  Journ\u00e9e d\u2019\u00e9tude, Universit\u00e9 Jean Moulin Lyon III, Lyon, 25 Novembre 2022 [show+proceeding]<\/p>\n\n\n\n

Reynal, S. (2022) : <\/span>Pour qu’on ne se d\u00e9barrasse pas des hommes : entre art et sciences, l’ing\u00e9nieur face \u00e0 l’ambivalence du sujet.<\/em> Dr\u00f4les d’objets: un nouvel art de faire, La Rochelle, France, 2021. https:\/\/doi.org\/10.5281\/zenodo.6059677<\/a><\/span> [conf paper]<\/p>\n\n\n\n

Reynal, S. & Martel C. (2022). S.T.U.M.P.S.<\/em> Performance for soprano, electronic music and robotic device. Teatri del Suono <\/em>2022 (Teatro Miela, Trieste, October 2022, curated by Cantierezero). [show]<\/p>\n\n\n\n

Reynal, S. (2021) : Entre processus stochastiques et m\u00e9triques d\u2019\u00e9valuation : l\u2019IA-cr\u00e9atrice \u00e0 l\u2019\u00e9preuve de l\u2019\u00e9tranget\u00e9. <\/em>Philosophy Kitchen, Rivista di Filosofia Contemporeana, #16 (2021). Link to article<\/a>. [article]<\/p>\n\n\n\n

Reynal, S. (2021) : Num\u00e9ricit\u00e9, complexit\u00e9 et \u00e9chelles de temps dans la pratique artistique contemporaine, <\/em>in Changements d\u2019\u00e9chelle, Les arts confront\u00e9s au r\u00e9el<\/a>. Dir. Josette F\u00e9ral. \u00c9ditions Mim\u00e9sis \/ Images, M\u00e9diums.  N.17 [book chapter]<\/p>\n\n\n\n

Reynal S., Martel C. & Ratoci A. (2021). Echo x echo<\/em>. Performance for soprano, electronic music and robotic device. Teatri del Suono Paradiso Festival  <\/em>2021 \/ Per Dante Alighieri  <\/em>(Trieste, September 2021, curated by Cantierezero). Also performed in Stuttgart, January 2022 and Backnang, February 2022. Link to video<\/a> [show]<\/p>\n\n\n\n

Braci B., Reynal S. & Mucciante M. (2021). Factory Loops Factory Looms<\/em>. Performance. Hyperfestival Paris, 20, 27 & 28 august 2021. (curated by Ville de Paris). Link to video<\/a> [show]<\/p>\n\n\n\n

Reynal, S. & Weidmann C. (2020). Il Respiro dell’Europa<\/em>. Interactive installation. European Science Organisation Festival, Trieste, 3-4 septembre 2020. Link to video<\/a> [show]<\/p>\n\n\n\n

Reynal, S. (2019). Tu le sens le poisson en toi ? <\/em>Performance. Created at Th\u00e9\u00e2tre du vent se l\u00e8ve, Paris. June 2019. [show]<\/p>\n\n\n\n

Reynal S. (2018). Animals<\/em>. Performance. Collaboration with Compagnie Luciernaga and CUT Trieste. Created at Th\u00e9\u00e2tre du Clocher, Paris. Septembre 2018. Also performed at European Science Organisation Festival, Trieste, 3-4 september 2020. Link to video<\/a> [show]<\/p>\n\n\n\n

Reynal S. (2017). Du silex au cortex artificiel : chronique d\u2019une m\u00e9prise<\/em>, ENSEA, cycle de conf\u00e9rences \u201cAutour de l\u2019intelligence artificielle\u201d, mars 2017 [oral communication]<\/p>\n\n\n\n

Reynal S. (2017). Chaleurs<\/em>. Performance. Collaboration with N. Leroux-Dupeyron, philosopher (IHRIM, ENS Lyon). Created at Th\u00e9\u00e2tre de la Boutonniere, Paris, Juillet 2017. [show]<\/p>\n\n\n\n

Reynal S. (2016). Staring at you, staring at me<\/em> (Cycle & Recycle), exhibition, Centre d’Art Khiasma, Les Lilas, 2016. Co-curator with Eric Maillet, ENSAPC. (prod. Centre d’Art Khiasma\/CY Alliance). [show]<\/p>\n\n\n\n

Reynal S. (2015). It\u2019s time : au-del\u00e0 du r\u00e9el, la machine et le fantasme<\/em>, Rencontres Art & Sciences de la Roche Guyon, 21 Mars 2015 [oral communication]<\/p>\n\n\n\n

Reynal S. & Kisseleva O. (2015). Fortune Cookie<\/em>. Installation. Futur en seine, Visage du Monde, Cergy, 2015 (curated by Futur en seine) [show]<\/p>\n\n\n\n

Reynal S. (2013). La physique quantique \u00e0 travers l\u2019art : enjeux \u00e9pist\u00e9miques, soci\u00e9taux et politique.<\/em> With Etienne Klein, Sylvie Tissot and Ianis Allemand. Point Eph\u00e8m\u00e8re, Paris. 2013 [oral communication]<\/p>\n\n\n\n

Kisseleva, O., Reynal, S. (2010). CrossWorlds : de la th\u00e9orie des codes correcteurs d\u2019erreur \u00e0 la manipulation politique<\/em>, Plastik #01<\/a>. Revue du Centre d\u2019Etude et de Recherche en Arts Plastiques (CERAP) de l\u2019Universit\u00e9 Paris I Panth\u00e9on-Sorbonne. [article]<\/p>\n\n\n\n

Reynal S. & Kisseleva O. (2010). It’s Time<\/em>. Prod. FRAC Poitiers. Also exhibited at Kairos Castle, Van Gaasbek Castle, Belgium, 2017 ; Ch\u00e2teau de Chamarande, France, 2017 ; Mondes Sensibles, CDA, Enghien les bains, 2015 ; Galerie Rabouan-Moussion, Paris, 2014 ; Le temps \u00e0 l’oeuvre, Louvre-Lens Musem, Lens, 2013 ; Shockworkers of the Mobile Image, Industrial biennal of contemporary art. Ekaterinburg, Russie, 2010 [show]<\/p>\n\n\n\n

Reynal S. & Cesari F. (2010). Subaquatic concert<\/em>. Waterproofs instruments. Balaklava festival of contemporary art, Crimea, Ukraine. 2010 [show]<\/p>\n\n\n\n

Kisseleva O. & Reynal S. (2008). Crossworlds<\/em>. Prod. Haus der Kultur der Welt. Exhibited at Hypothesis Testing, Moscou, 2010 and Transmediale, Haus der Kultur der Welt, Berlin, 2008. [show]<\/p>\n\n\n\n

Other publications (physics & engineering<\/strong>) here<\/a><\/p>\n","protected":false},"excerpt":{"rendered":"

Art & Machines Portfolio I have a dedicated website with my complete artistic portfolio, including theatre, performance, acting and music production : www.sydxrey.art\u00a0 Publications,\u00a0 oral communications and shows in Art & Sciences, artistic research, philosophy of technology and epistemology Reynal, S., & Martel, C. (2025). Du hacking \u00e0 la sc\u00e8ne\u202f: Conception d\u2019un dispositif performatif art\/science … <\/p>\n

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